Red One

June 21st, 2009

I first heard about this camera during the Adelaide Film Festival domefest event earlier this year, and yesterday attended a seminar on current 2k-4k video recording technologies, including hands-on on a few of these cameras, such as the tiny SI2k, as well as the Red One.

For those that don’t know, the Red One camera is a 4000×2000 pixel video camera that records in Raw, like professional DSLR’s do for photos. It records up to 30fps at that resolution, but can record at a higher frame rate at lower resolutions (120fps at 2k from memory).

The digital workflow seems simple enough, and the resulting footage from it is absolutely breathtaking. RED’s latest 35mm Film Demo Reel was decidedly jaw dropping to say the least. I’d love some proper testing time with wide fisheye lenses for fulldome / regular cinema presentation.

Midtones, midnight, mid-career

May 1st, 2009

I often get interesting trains of thought before I head to sleep. Here’s what I was thinking last night when thinking of how to improve my wide angle photography and methods of increasing the dynamic range of imagery. Don’t worry if you have no idea what you are reading.

If I look at the world through eyes of steel, an objective realist look, the result is a mixture of beauty and flaws; of black and white; an image wtih no greys, no mystery. Having developed much of my photography in Japan - a land of great contrast - as an outsider, the natural point of view is unusual. The visual translation of a jumbled architectural montage can be easily lost. Do the questions an outsider asks about what they see and experience change their way of thinking? For many, once home is left, their view is changed and transformed. In lands of extremes, the truth of what we experience must sometimes give way to emotion. Subjectivity must be regained to seek meaning.

The thing about a lot of HDR photography is that the midtones are all off; a self-composed life of greyness that shadows emotion. It is well known that ‘Contrast begets meaning’. Yet does that make the Greys meaningless? Take water for example; a giver of life. It not only non-grey, but is transparent and yet reflective. What does that make the opaque silver? Is the mirror in liquid metal a reflection of light and shadow, or is it the Medium? It is a common technique to achieve a single 360 degree point of view using a mirrored sphere. What is the importance of the middle light? Silver media may have gold plating. Is Au (gold) the sepia of the Greys?

Water may be the medium of life that links outer and inner soul
A relationship that must be made to become entire and whole

If silver is to bounce, then water is to communicate; to give and receive. Life is not just the people you’ve met, the placed you’ve been, the experiences you’ve had. Life is you, and life is now. It always changes, develops, and shows you a new thing every day. Drive your passion forwards. Reach for the horizon. You might sometimes go in circles, but a little bit of imagination can lead you to great places. The horizon may be a constant, but is not the core of the Earth. The highs and lows of life are good and bad. Those on the side of the road may not be progressing, but are thinking; observing; becoming. The greys of life are the medium of transformation. When a link is formed between the grey and the contrast, it is perhaps then that true beauty is revealed. The horizon may be heavenly, but even in life, there are ways of seeing the Other side of the sphere.

Tesla at the Clipsal 500

March 21st, 2009

This seriously is one of the highlights of this year’s Clipsal 500. Part of Murray Walker’s Extreme Machines display, the Tesla is one of the first serious attempts at an electronically powered sports car. In that it uses the cutting edge of current automotive technology, I’m surprised they didn’t advertise, or mention over the PA system that one of the extreme machines was a Tesla. When it went past I thought, ‘What is an exige with funny headlights doing there? They aren’t even accelerating hard (hardly any sound); seems out of place’. Now it makes sense. For anyone who is there today or tomorrow, this is a must see.

Korankei

March 20th, 2009



Mossy thatched roof landscape

Originally uploaded by Augustography.com.au

Here’s some photos taken last year at Korankei, a place very famous for it’s autumn leaves. Unfortunately we arrived one or two weeks early so the leaves hadn’t completely changed colour.

Porsche Meet

March 17th, 2009



IMGP8420

Originally uploaded by Augustography.com.au

Here’s some photos from Sunday’s Porsche meet at Glenelg. Although it was open from 10 till 4, I arrived just past 3pm and most cars had left already :(. I guess the weather was a bit of a deterrent, but made for some nice piccies.

G1 Extreme Drift

March 9th, 2009

Here’s a small selection of photos taken on Saturday at Mallala for the first round of the G1 Extreme Drift.

Congrats to Chris who came second




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Bamboo and wood

February 24th, 2009



Bamboo and wood

Originally uploaded by Augustography.com.au

One of the many architectural objects common around houses in Kyoto, and especially Gion.

Actually this is just a test post to see how posting to my blog from flickr works. Seems pretty easy! Brilliant.